Kelly
HiDef Depth-of-Field Calculator
The Guild of
British Camera Technicians‘ HiDef Depth-of-Field Calculator (produced in
association with Panavision Europe) is specifically designed for the new
dedicated camera lenses used for shooting high-definition video for big-screen
cinema.
Posted
by permission from American Cinematographer Magazine
Multibridge
Extreme
Blackmagic
Design has introduced to the postproduction world the Multibridge Extreme
bi-directional converter featuring built-in PCI Express.
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by permission from American Cinematographer Magazine
Celco’s
Fury 4K, Firestorm 2X and Hollywood HQ
Celco,
a leader in digital film-recording systems, has unleashed the Fury 4K digital
film recorder. Celco’s fastest, highest-resolution recorder to date, the
Fury 4K features a dramatic improvement in speed for full range, 10-bit
log, 4K imagery onto Kodak 2242 color intermediate negative stock.
Posted
by permission from American Cinematographer Magazine
PFClean
V2.0, PFTrack V3.0 from the Pixel Farm
The
Pixel Farm, a company focused on innovation in the field of high-end digital
postproduction, utilized NAB 2006 to unveil a number of new products and
services.
Posted
by permission from American Cinematographer Magazine
Baselight
HD, Northlight 2, and Truelight Colourist from FilmLight
FilmLight,
a leading provider of digital filmmaking technology, has unveiled the Baselight
HD grading system, the Northlight 2 film scanner, and the Truelight Colourist
Package.
Posted
by permission from American Cinematographer Magazine
Bluefish444
Catalyst
Bluefish444
has unleashed the Catalyst 2K DSP hardware processing 16-bit RGB video card
into the waters of digital postproduction.
Posted
by permission from American Cinematographer Magazine
FrontNiche
HD-SDI TFT LCD Monitors
FrontNiche
offers a full line of HD-SDI TFT LCD screens, ranging from 6.4” to 57” and
covering all the bases in between.
Posted
by permission from American Cinematographer Magazine
Elipz
from Anton Bauer
Targeting
the increasingly popular DV and HDV prosumer camera systems, Anton Bauer
has introduced the Elipz generation of battery, light and grip products
created specifically to enhance runtime, performance and ergonomics.
Posted
by permission from American Cinematographer Magazine
Transvideo
StarliteColor LCD Monitor
The
good people at Transvideo have unveiled the new 4" StarliteColor LCD monitor.
Offering the compactness of a flip-out screen with the quality of a professional
viewfinder, the StarliteColor is switchable between color, green screen
and black-and-white.
Posted
by permission from American Cinematographer Magazine
Fraunhofer
Megacine
Fraunhofer
Institute for Integrated Circuits IIS has developed a new portable field
recorder for digital cinema, high definition and standard definition.
Posted
by permission from American Cinematographer Magazine
Phantom
Digital Widescreen Cinema
Vision
Research has announced its line of Phantom Digital Widescreen Cinema cameras,
which is launching with the Phantom HD and the Phantom 65.
Posted
by permission from American Cinematographer Magazine
Imagica
Imager HSR
Imagica
Corp, one of the largest postproduction companies in Japan and a leading
supplier of digital-imaging products for digital-intermediate- and digital-cinema
applications, recently announced a number of new products.
Posted by permission from American Cinematographer Magazine
Imagica
Imager XE Advanced Plus and 35mm Wetgate
A 4K scanner and a 35mm wetgate available from Imagica.
Posted by
permission from American Cinematographer Magazine
Imagica’s
Primatte
Last but not least in the new lineup from Imagica is a new version of the
Primatte chroma key technology.
Posted by
permission from American Cinematographer Magazine
Doremi
Nugget HD Video Player
Building on its product line, Doremi labs has added new features and enhancements
for its Nugget HD Video Player and new remote-control software for its HD
Video Test Generator and Video Converters.
Posted by
permission from American Cinematographer Magazine
Formatt
HD Filters
Formatt Filters has launched a new range of glass filters designed specifically
for high-definition picture acquisition.
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by permission from American Cinematographer Magazine
HD
Mini Probe, Bird’s Eye, and Z Shuttle from Innovision
Innovision Optics has introduced the HD Mini Probe lens system, the Bird’s
Eye camera support system and the Z Shuttle tracking system.
Posted
by permission from American Cinematographer Magazine
Canon
HDgc, eHDxs, and IFpro Lenses
Canon let loose at NAB 2006, unveiling the new HDgc family of lenses, the
XL H1 HD camcorder, and several additional new products.
Posted
by permission from American Cinematographer Magazine
Canon
XL H1, Canobeam DT-100 and Realis
Canon has introduced its first HD camcorder, the XL H1. With three 1/3-inch
native 16x9 1440x1080 CCDs, the XL H1 captures images at 1080i resolution
and features selectable frame rates of 60i, 30 Frame and 24 Frame.
Posted
by permission from American Cinematographer Magazine