Professional
Filmstyle* HD
Camera Comparison
Listed
alphabetically by first letter of manufacturer's name.
*Cameras
that are strictly 1080i (interlaced) are excluded
For
a comprehensive chart comparison, click
here.
Click
cameras below for descriptions
There are many new HD camera systems available today that offer a broad spectrum of capabilities with varying levels of quality. For industry professionals moving into HD for the first time, the choices can be overwhelming. Which is the best HD camera system for your particular project?
This web page is designed to help you become more familier with the various film-style HD camera systems by providing a side-by-side comparison. Film-style cameras have 24fps progressive frame capability (or simulated 24F) and a host of other features associated with professional film-style production. Cameras that are strictly 1080i have been excluded as they are best suited for HD broadcast and do not capture with a "film look."
Click on the cameras above for quick reference or scroll down the page. Manufacturer descriptions of each camera are provided for convenience along with thumbnail photos that can be clicked for larger images. Each camera description also inludes links for downloadable brochures, specifications, documents and operation manuals in pdf format (Adobe Acrobat) along with the official manufacturer website.
For
a comprehensive "apples-to-apples" chart comparison of
all film-style HD cameras listed on this page, click
here. The HD
Resolution Comparison Chart is a graphic comparison of various
HD formats and sensors.
Sony
CineAlta F950
Sony's
ongoing commitment to the pursuit of the highest picture quality and color
performance in digital motion pictures has given rise to the new CineAlta
HDC-F950 portable camera, a powerful new addition to the CineAlta
acquisition system product line. The HDC-F950 provides full-bandwidth
digital 4:4:4 high-definition RGB signal processing and output capability,
offering superb picture quality for today's digital motion picture productions.
These full-bandwidth RGB signals can be directly connected to a recording
system, such as the SRW-5000, or they can be digitally transmitted to
the new HDCU-F950 camera control unit via a single optical fiber cable.
Sony
CineAlta F950 website
Sony
CineAlta F950 brochure.pdf (445kb)
Sony
CineAlta F900
Panavised
The
Emmy award-winning Panavised F900 was the industry's first digital
high-definition 24P imaging system to combine high-quality optics, cutting-edge
digital signal processing and storage in one portable package. The Sony
HDW-F900 HDCAM® camcorder was extensively customized by Panavision to
meet the requirements of discerning cinematographers. Panavision simultaneously
released its latest generation of high-quality optics, the Digital
Primos™, developed specially for high definition imaging.
Panavised
Sony F900 website
Panavised
Sony F900 brochure.pdf (282kb)
Please
report broken links to: steve@stevelantzproductions.com.
Every attempt has been made to provide the
most accurate data available from the camera manufacturers, but we cannot
guarantee 100% complete accuracy. Please
notify us of any errors.
Canon
XL H1
The
XL H1 HD camcorder offers a broad range of capabilities, emulating those
of cameras that are significantly more expensive. They include the "Professional
JackPack" which allows the user to send out an uncompressed HD signal
(through the HD-SDI terminal), input and output SMPTE time code and receive
a Genlock signal. Image capture through Genuine Canon optics, which rank
among the very best in the world, interchangeable lenses and the "open
architecture" of Canon's XL series of camcorders gives the XL H1 superb
creative flexibility.
Canon
XL H1 website
Canon
XL H1 brochure.pdf (3.05mb)
Canon
XL H1 brochure-full.pdf
(3.06mb)
Canon
XL H1 specs.pdf
(95kb)
Canon
XL H1 guide.pdf
(30kb)
Canon
XL H1 downloads page
Sony
XDCAM HD
The
PDW-F350L, XDCAM HD Camcorder, features MPEG HD and DVCAM switchable recording
with three 1/2-inch HD CCDs. It is capable of recording 1080 video lines
of multiple frame rates at a high bit rate of up to 35 Mbps and the well-proven
DVCAM format. It also provides four channels of high-quality uncompressed
audio. This provides an SD to HD migration path to a complete HD-based
environment. Down-conversion output to SD is an standard feature in the
product, instant random access and reply of clips, IT network capability
and Proxy data operation offer a choice of new workflow. The PDW-F350L
provides excellent picture quality, adapting Power HAD HD CCDs (1440x1080).
It offers HD recording in 1080/59.94i, 50i, 29.97P, 25P and native 23.98P
and the operator can also select the desired bit rate to record it, either
35 Mbps, 25 Mbps and 18 Mbps depending on the desired picture quality
and recording length. Being a dual format camcorder, it can also record
in DVCAM mode at 25 Mbps.
Sony
XDCAM website
Sony
XDCAM HD brochure.pdf (349kb)
Sony
XDCAM HD Family.pdf
(2.59mb)
Thomson-Grass
Valley VIPER FilmStream
The
Viper FilmStream™ camera offers superior resolution with three
9.2-million pixel Frame Transfer CCDs. It delivers an RGB 4:4:4 10-bit
log output which has not been compromised by electronic camera signal
processing. When your digital cinematography project demands the highest
quality, this compact and versatile camera is an excellent choice. Uncompressed
data can be stored in a dockable Venom
FlashPak.
Thomson-Grass
Valley Venom FlashPak brochure.pdf (355kb).
Thomson-Grass
Valley Viper website
Thomson-Grass
Valley Viper brochure.pdf (2.36mb)
Thomson-Grass
Valley Viper data sheets
(1.8mb)
Thomson-Grass
Valley Viper specs.pdf (756kb)
Viper
FilmStream workflow diagram
Panasonic
Varicam F/H
The
AJ-HDC27 VariCam HD Cinema Camera brings variable frame rate
acquisition to the DVCPRO HD product line up. This is the first high definition
production camera that is capable of variable frame rate at the touch
of a button. Individual frame rates may be selected from: 4-fps to 60-fps
in single frame increments. Designed as a high-quality production camera,
this native 720p camcorder can be used for 60-fps or the film-like 24-fps
acquisition. The camera has the capability to emulate film's gradual transfer
function performance (i.e. CineGamma). This function greatly increases
the camera's usable dynamic range, especially in traditionally limiting
areas such as highlight handling, which until now was a serious limitation
for most HD cameras. The new generation AJ-HDC27H offers many new improvements
over its Model F predescessor, including
lower noise and a 12-bit A/D converter for extended exposure latitude.
For a complete list of new features of the Model H Varicam,
click
here
(3kb).
Panasonic
VaricamH website
Panasonic
VaricamF brochure.pdf
(1.69mb)
Panasonic
VaricamH brochure.pdf
(1.11mb)
Panasonic
VaricamH operator's manual.pdf (3.03mb)
Panasonic
Varicam workflow diagram
Kinetta
The
Kinetta camera is based on film-camera concepts. RAW image capture allows
you to defer color and gamma decisions until post. The camera is simple
with few controls to help shoots go faster without the need for extra
technicians or equipment. The sensor agnostic design can be upgraded to
future CCD and CMOS sensors, up to 16MP. Accepts PL-Mount lenses and the
quick-change magazine stores over 100 minutes of RAW, uncompressed 10-bit
log data at 1920 x 1080 24fps.
Kinetta
website
Kinetta
brochure.pdf (550kb)
Kinetta
4K brochure.pdf
(714kb)
Thomson-Grass
Valley Infinity
The
Thomson-Grass Valley Infinity™ Digital Media Camcorder combines the best
of Emmy® award-winning camera engineering capabilities with leading IT
recording and connectivity technologies. The result is a solution designed
from the ground up to deliver all the benefits of advanced technologies
to the broadcast and production industries. Key Features · HD/SD multi-format
support: - 1080i50/60 - 720p50/60 - 625i50 - 525i60 · Supports DV25, JPEG
2000, and MPEG-2* compression - DV 25 Mb/s 4:1:1 or 4:2:0 (DVCAM and DVCPRO)
- JPEG 2000 high-efficiency, scalable compression for SD (4:2:2, 10 bit)
and HD (4:2:2, 10 bit) - MPEG-2* for SD (4:2:0 and 4:2:2 ) and HD (4:2:0)
· Recording/playback to and from integrated REV PRO and professional-grade
CompactFlash media · Simultaneous read/write to and from REV and CompactFlash
media · 14-bit digital HD camera head with advanced video processing.
Thomson-Grass Valley Infinity website
Thomson-Grass
Valley Infinity brochure.pdf
(2.23mb)
Thomson-Grass
Valley Infinity data sheet.pdf
(242kb)
Panasonic
HVX200
The
AG-HVX200 is the best hand-held, high-definition
camera ever. A breakthrough design, the HVX200 uniquely combines multiple
HD and SD formats, multiple recording modes, multiple frame rates (12-60fps),
24/25p recording and the vast benefits of solid-state memory with P2 memory
cards. The HVX200 records in the same DVCPROHD 720p format as the Varicam
and operates in all DVCPRO formats, providing greater diversity to meet
a variety of production needs. The HVX200 can be outfitted with a P+S
Technik Mini-35 Adaptor to accept film-style lenses and accessories.
Panasonic
HVX200 website
Panasonic
HVX200 brochure.pdf (846kb)
Panasonic
HVX200 guidebook.pdf (843kb)
Panasonic
P2 workflow diagram
JVC
HD100U
JVC's
GY-HD100U is the world’s first truly professional, affordable high
definition camera recorder with true 24p capture and recording in JVC’s
ProHD product line-up. ProHD is JVC’s approach to its affordable HD solution,
which utilizes the HDV™ format adopted by JVC, Sharp, Sony and Canon.
JVC’s ProHD product line-up features timecode and audio capabilities for
professional use. The GY-HD100U is the only HDV camera that offers true
progressive scan recording in full resolution 1280 x 720. Other professional
features include interchangeable lenses, a pro-style viewfinder and shoulder-mount
capability. The HD100U can be outfitted with a P+S Technik Mini-35 Adaptor
(pictured) to accept film-style lenses and accessories.
JVC
HD100U website
JVC
HD100U brochure.pdf
(1.43mb)
JVC
HD100U ProHD System brochure.pdf
(2.91mb)
JVC
ProHD workflow diagram
Arriflex
D-20
The
Arriflex D-20 is a film style digital camera. Because of its single,
Super 35 sized CMOS sensor, the D-20 uses the same lenses as 35 mm film
cameras and has the same depth of field as 35 mm film. It has an optical
viewfinder, is capable of variable frame rates and is compatible with
ARRI film camera accessories. It outputs either an HDTV signal in Video
Mode or the raw sensor data in Film Mode.
Arriflex
D-20 website
Arriflex
D-20 brochure.pdf (1.54mb)
Sony
CineAlta F900
The
HDW-F900 CineAlta camcorder is capable of capturing images at 24/25/30
frame progressive or 50/60 interlace at 1080 resolution. The HDW-F900h
utilizes a 2.2 megapixel FIT CCD and comes equipped with various gamma
curves for superior imaging. The camcorder features dual filter wheels
and comprehensive software adjustment parameters for superior image control.
A Memory Stick setup system saves and recalls various parameter settings.
Sony
CineAlta F900 website
Sony
CineAlta F900 brochure.pdf (1.11mb)
Sony
CineAlta F900 operator's manual.pdf
(2.18mb)
DALSA
Origin®
DALSA's
Origin®
offers more digital power, more possibilities, and more creative control
than you've ever experienced. With true cine lenses, more than 12 stops
of exposure latitude, and the world's only 4K digital output, Origin provides
superior images for any screen, big or small. And digital capture means
you can check them while you're still on the scene.
DALSA
Origin website
DALSA
Origin brochure.pdf (445kb)
Panasonic
HDX900
This
full 2/3" DVCPRO HD camcorder records pristine 100Mbps HD images in any
of 11 video formats, encompassing 60Hz and 50Hz production. The versatile,
cost-effective camera provides higher-quality 4:2:2 intra-frame recording
that holds up through layers of special effects, graphic overlays and
constant editing and processing. Collaboration and content exchange are
essential in sports production, cable shows and reality TV -- and nothing
maintains the original image integrity and sound quality like DVCPRO HD.
With 1080i, 720p, 24p and 25p capabilities, the AJ-HDX900 is perfect for
long-form HD programming and an invaluable tool for digital cinematography,
cable and television production in any format, sports and events, for
globetrotting documentarians and feature crews, and for the rental companies
that serve them.
Panasonic
HDX900 website
Panasonic
HDX900 brochure.pdf (354kb)
Sony
F23 CineAlta
Sony's
new camera system features 1080-progressive RGB 4:4:4 capture and variable
frame rate selection from 1 to 60fps. Many progressive frame rates are
supported, including 1080/23.98p, 24p, 25p, 29.97p, 59.94p and 60p. Sony
added many new feature sets and improved ergonomics. The camera docks
directly to Sony's SRW-1 HDCam SR recorder for cableless operation and
features three 2/3" Power HAD EX CCDs
(1920 x 1080p), 14-bit A/D conversion and advanced DSP for high imaging
performance. Designed to meet the challenging needs of cinematographers,
the new CineAlta is Sony's latest contribution to HD production and the
culmination of over 20-plus years of experience in high-definition imaging.
Sony
CineAlta website
Panasonic
DVX100(A/B) with Andromeda conversion
Reel
Stream, LLC announces the immediate availability of the Andromeda Data
Acquisition System. The system consists of a hardware modification of
the Panasonic DVX100(A/B). Once modified with Andromeda, the DVX is capable
of 4:4:4 10bit RGB Uncompressed output at resolutions exceeding 720p High
Definition. The controlling software suite, SculptorHD, has been designed
from the ground up under the guidance of filmmakers from all levels of
production. From User-Definable 3 channel LUTs to a real-time RGB histogram,
SculptorHD has been developed with the workflow of today's busy filmmaker
in mind. Running the gamut of productions, Andromeda and Sculptor will
conform to the production needs of an independent filmmaker or a Hollywood
Blockbuster VFX artist. The Andromeda upgrade along with the controlling
SculptorHD software suite is scheduled at $2,500.
Panasonic
DVX100B website
Panasonic
DVX100B brochure.pdf (748kb)
Panasonic
DVX100B manual.pdf (4.44mb)
Reel
Stream Andromeda website
Andromeda
Sample Workflows.pdf (359kb)
SculptorHD-Getting Started.pdf
(1.19mb)
Andromeda-SculptorHD
workflow diagram
